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・ Arthur McKean
・ Arthur McKee
・ Arthur McKenzie
・ Arthur McKenzie Dodson
・ Arthur McNutt Cochran
・ Arthur McQuade
・ Arthur Meaby
・ Arthur Meade, 5th Earl of Clanwilliam
・ Arthur Meares
・ Arthur Mee
・ Arthur Meek
・ Arthur Meeker, Jr.
・ Arthur Meen
・ Arthur Meighen
・ Arthur Meinig
Arthur Melbourne-Cooper
・ Arthur Mellows Village College
・ Arthur Melmoth Walters
・ Arthur Melville
・ Arthur Melville Clark
・ Arthur Melvin Okun
・ Arthur Mendel
・ Arthur Mendes
・ Arthur Mendoza
・ Arthur Mercante, Sr.
・ Arthur Merric Boyd
・ Arthur Merriman
・ Arthur Mervyn
・ Arthur Meschian
・ Arthur Mesley


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Arthur Melbourne-Cooper : ウィキペディア英語版
Arthur Melbourne-Cooper

Arthur Melbourne Cooper (15 April 1874 – 28 November 1961) was a British photographer and early filmmaker best known for his pioneering work in stop-motion animation.〔(【引用サイトリンク】title=Arthur Melbourne-Cooper pioneer film maker )〕 He produced over three hundred films between 1896 and 1915, of which an estimated 36 were all or in part animated. These include ''Dreams of Toyland'' (1908) and according to some sources ''Dolly’s Toys'' (1901), as well as ''Matches: An Appeal'' (date disputed), which according to recent research may have been the first animated film to be shown in public.
Since his death, Cooper has become a controversial figure among film historians with disputes arising over his professional relationship with film pioneer Birt Acres; seven films known as the GRG-Series, which archives such as the BFI's currently credit to Brighton based filmmaker George Albert Smith; and the re-dating of the aforementioned ''Matches: An Appeal'', which archives such as the BFI's currently date to 1914.〔 The claims were debated in a series of articles in ''Film History'' journal from 1999 to 2002, and in response to a book on Cooper published in 2009 by Dutch independent researcher Tjitte de Vries.
==Biography==


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